Культурное наследие Севера в цифре.

en table when receiving mail, money handed over or document signing on a table filled with the daily life of coffee and home-rolled tobacco. His goal was to tell the story and show the things as they truly were, the way he sensed them on that exact day, in a split second. Prior to producing the multivision, all the negatives were scanned in a high resolution on a Flexicolor negative scanner. The resolution on the original scan is high enough to produce large copies. The digital photos was later processed in Photoshop, preserving the pictures in a digital darkroom, and making copies suit­ able for a multivision. The project got financially support by the Sami National Assembly’s program for translation of text to Sami language and highlighting the Sami culture. An advanced multivision program called “ProShow Gold” enabled sound, text material and different styles as a part of the presentation, making it more interesting. Professor of Art History Sigrid Lien and scientist Hilde Wallem Nielssen from the University of Bergen wrote a presentation of Henrik 0rsteds work in a printed catalogue. A multivision presentation is a perfect way of presenting large amounts of pictures in social media, as an entertainment statement in meetings, gatherings or as part of a larger exhibition or presentation that costs little to produce. The suc­ cess of this kind of presentation is that it is so easy to distribute and most people have access to platforms that can show the multivision at home, in a school, on websites and in social media. It is far more entertaining than still life pictures you need to click on to watch and you reach far more people than posting pictures on the website. 25